Emily Carey Says She Was Initially “Scared” of Doing ‘Home of the Dragon’ Intercourse Scenes at Age 18
Emily Carey, who performs a younger Alicent Hightower in HBO’s mega-hit collection House of the Dragon, just lately opened as much as Newsweek about being “scared” of doing intercourse scenes within the Game of Thrones prequel as a result of previous present’s “violence upon girls,” which may be very honest!
In episode 4 of Home of the Dragon, her character Alicent appeared in two intimate scenes: one by which she helped bathe King Viserys and one other by which she had intercourse with him (within the latter scene, nevertheless, it’s crystal clear the intercourse was not satisfying for Alicent).
Emily was simply 17 years outdated when she learn the present’s scripts and 18 when she and the forged started filming, she informed Newsweek. The actor expanded on their emotions on the time and admitted she felt “scared” as a result of “at that time I nonetheless hadn’t met Paddy [Considine], I didn’t understand how a lot of a pleasure he was and the way straightforward he was going to make [shooting the scene], and all I noticed was, , a 47-year-old man and me. I used to be a bit involved.” I imply, the maths is mathing right here!
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Emily mentioned it was in the end because of an “wonderful” intimacy coordinator on set that she really felt reassured and relaxed. “Once more, nonetheless being 17, the primary scene that I learn from the present was my intercourse scene and my intimacy scenes, that features the scene the place I am bathing the king—something that felt intimate was thought-about an intimacy scene, which I believed was nice.”
The actor additionally expanded on how watching Game of Thrones before beginning manufacturing on House of the Dragon affected her psyche previous to taking pictures her scenes: “After all the primary season, even simply the primary episode of Thrones, there’s a lot of violence upon women. There’s lots of violent sex, and it made me nervous. I used to be like, ‘Oh, god, what am I gonna should do on this present?’” Emily in the end lauded the collection’ girls administrators and writers— particularly Clare Kilner and Sara Hess—plus, its showrunners, Ryan Condal and Miguel Sapochnik, for having an “open dialog” and making the forged “really feel extremely safe and secure.”
“Once we acquired to the rehearsal room, no matter who was by which scenes, there was an open dialogue about, ‘Look, that is how we’re approaching the present. That is the way it’s going to be completely different from the unique. That is what we wish to speak about. That is what we wish to put out. That is how we would like the viewers to view the ladies in our present,’” the actor added.
“It was an incredible factor, and it was empowering being on that set as a younger woman and being handled the identical as all of those very established males. It was nice, I feel they approached this in the easiest way they may have completed,” they concluded.
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